Smell branding in fashion retail management

This Directory is a compendium of the names of scholars who are actively engaged in social scientific or humanities-based research on the senses and perception. Each entry gives the person’s name, institutional affiliation, and up to seven keywords describing their research interests, as well mas a link to their home page. Use this directory to explore the riches of “sensuous scholarship” (Stoller).

Ellen Adams, King’s College London, London, UK
Classics – Sensory Impairments (Blindness and Deafness) – Art Appreciation – Museums’ Access Programmes, Audio Description, Touch Tours, Sign Language Tours – Classical Legacy
Jacquelyn Allen-Collinson, University of Lincoln, UK
Sociology – Embodiment – Senses in Physical Cultures – Touch – Lived Heat
Gemma Angel, University College London, London, UK
Interdisciplinary (History of Art/Anthropology) — Touch, Vision, Smell — Skin – The Tattoo – Pain – Haptics – Materiality and Affect – Human Remains – Technological ‘Senses’
Luis Rocha Antunes, Norwegian University of Science and Technology, Trondheim, NO; University of Kent, Canterbury, UK
Thermoception — The Vestibular Sense — Nociception — Multisensory Perception — Multisensory Film Experience — Cinema and the Senses
Niall Atkinson, University of Chicago, Chicago, Illinois, USA
History of Architecture and Urbanism — Hearing — Sound, Architecture and Urban Experience in the Early Modern City
Francesca Bacci, CIMeC, University of Trento, Rovereto, Italy
History of Art ­­– Art Criticism – Curatorship – Senses in Art – Sculpture and Touch
Les Back, Goldsmiths, University of London, London, UK
Sociology/Anthropology – Urban Soundscapes – Senses and Racism – Music and Popular Culture
Allen Ball, University of Alberta, Edmonton, Alberta, Canada
Visual Culture – Painting – Sight – Contemporary Art – Phenomenology of Painting – Public Art
Ruth Barcan, University of Sydney, Sydney, Australia
Cultural Studies – Interdisciplinary – Alternative Therapies – Bodywork – Embodiment – CAM
Jennifer M. Barker, Georgia State University, Atlanta, Georgia, USA
Moving Image Studies – Cinema and the Senses – Touch – Hearing – Proprioception – Synaesthesia
David Barnes, University of Pennsylvania, Philadelphia, Pennsylvania, USA
Smell — Public Health — Recreating Historical Sensory Experiences
Victoria Bates , University of Bristol, Bristol, UK
Medical history/humanities – illness – recovery – senses in healthcare environments – sensory design – narratives.
Jacob M. Baum, Texas Tech University, Lubbock, Texas, USA
History – Five Senses – Religion – Culture – Daily Life – Later Medieval & Early Modern Europe – Germany 
Bettina Beer, Ethnologisches Seminar, University of Lucerne, Lucerne, Switzerland
Anthropology – Smell and Social Relations – Touch, Eating and Perception of Food
Patrizia Di Bello, Birkbeck College, University of London, London, UK
History of Art – History and Theory of Photography – Touch – Sculpture
Regina Bendix, Georg-August-University, Göttingen, Germany
Cultural Anthropology and Folklore Studies – The Five Senses, especially
Hearing – Ethnographic Approaches – Enculturation
Stephen Di Benedetto, University of Miami, Coral Gables, USA
Theatre/Live Art – Performance Design – The Five Senses – Embodied Thinking – Provoking the Senses
Jill Bennett, National Institute for Experimental Arts, UNSW Australia, Sydney
Visual Culture/Aesthetics/Curating/Media — Embodied Perception — Memory — Affect and Empathy — Art and Trauma — Interactivity
Julia Bennett, Durham University, Durham, UK
Sociology – sense of place – embodiment – haptic senses – visual methods – walking
Carin Berkowitz, Chemical Heritage Foundation/University of Pennsylvania, Philadelphia, USA
History of Science — relationships between the senses — touch—anatomy and surgery — sensory epistemology — senses and pedagogy — enlightenment Britain
Arnold Berleant, Castine, Maine, U.S.A.
Philosophy – Aesthetics – Environmental aesthetics – Interrelations and Fusion of the Senses – Aesthetic Sensibility – Aesthetic Theory
Karla Berrens, Universitat Oberta de Catalunya (UOC), Barcelona, Spain
Interdisciplinary – Sociology – Sound Studies – Urban Studies – Hearing / Listening – Emotions – Memory – Disability – Accessibility- Emplacement
Eleanor Betts, The Open University, Milton Keynes, UK
Archaeology/Classical Studies – All Senses – Sensescapes – Phenomenology – Movement and Space – Iron Age and Roman Religion – Ancient Italy
Jennifer L. Biddle, National Institute for Experimental Art (NIEA), University of New South Wales (UNSW) Sydney  AUSTRALIA
Visual Anthropology, Aboriginal Arts – Affect – Sensation – Embodiment – Cross-cultural Arts –  Trauma and Occupation – Intercultural Ontologies
Suzannah Biernoff, Birkbeck College, University of London, London, UK
History of Art/Visual Culture Studies – Sight – Touch – Medieval Sensorium – War and Visual Anxiety – Ethics of Spectatorship – Emotion and the Senses
Karin Bijsterveld, Maastricht University, Maastricht, The Netherlands
Cultural History/Science and Technology Studies – Hearing – History of Noise – Sound
Technologies and Cultural Practices – Music and Technology
Mikkel Bille, Roskilde Universitet, Denmark
Anthropology/Material Culture Studies – Vision – Atmospheres – Luminosity – Light Bulbs – Candlelight – Fire – Hospitality
David Bissell, The Australian National University, Canberra , Australia
Geography – Sociology – Pain – Stillness – Passivity – Habit – Affect – Mobilities
Lisa Blackman, Goldsmiths, University of London, London, UK.
Body studies – Hearing – The Sixth Sense – Automaticity – Affect
Barry Blesser, Blesser Associates, Belmont, Massachusetts, USA
Aural Architecture – Soundscapes – Spatial Experience – Cognitive Strategies
Aimée Boutin, Florida State University, Tallahassee, USA
French Literature, Cultural Studies, Poetry Studies, 19th Century Studies – Hearing – City and the Senses—Senses in Art – Modernity

Mark Bradley, Department of Classics, University of Nottingham, United Kingdom
Ancient Rome – senses – colour – smell – dirt – classical literature – classical art
Josh Brahinsky, University of California, Santa Cruz, Santa Cruz, CA
Anthropology – Pentecostalism – Feminist Theory – Cultivation of Sensory Aptitudes – Body-Logics
Hans-Joachim Braun, Helmut-Schmidt-Universitaet, Hamburg, Germany
History of Technology – Hearing – Sound Studies – Musical Creativity –  Technology and Music – Industrial Noise
Don Brenneis, University of California, Santa Cruz, USA
Anthropology – Sound – Performance – Sensory/Emotional Interactions – Senses and Sociality
Jeremy Brice, The London School of Economics and Political Science, United Kingdom
Cultural Geography – Cultural Economy – Taste and Smell – Food – Wine – Agriculture – Visceral Knowledge
Ross Brown, Central School of Speech and Drama, University of London,London, UK
Theatre/Drama/Performance – Hearing- Aural Dramaturgies – Auditory Scenography – Sound Design
Colette R. Brunschwig, University of Zurich, Department of Law, Zurich, Switzerland
Legal Theory – Legal Psychology – Legal Informatics – Legal History – Multisensory Law – Visual Law – Audio-Visual Law – The Five Senses
Christopher Buccafusco, Cardozo Law, New York, NY USA
Law – The Five Senses – Intellectual Property – Copyright – Art – Creativity – Authorship
Liam Buckley, James Madison University, Virginia, USA
Anthropology –Vision & Touch – Photography – Film – Aesthetics – Africa – Vernacular Architecture
Michael Bull, University of Sussex, Brighton, UK.
Media Studies/Sociology – Auditory Culture – Sensory Urbanism – Technology and the Senses
Edmunds V. Bunkše, University of Latvia, Riga, Latvia; University of Delaware, Newark, DE. USA
Humanities geography – history of ideas – anthropology – art and the senses – sensescapes – interdisciplinary
Shane Butler, Johns Hopkins University, Baltimore, USA
Classics — Classical Reception — Hearing — Touch — Synaesthesia — Aesthetics — Voice Studies

Rosario Caballero, University of Castilla-La Mancha, Spain
Senses in Architecture – Senses in Winespeak – Motion – Metaphor – Genre Analysis – Linguistics
Silvia Casini, University of Aberdeen, Aberdeen, UK
Visual and Material Culture of Science and Medicine, Art-Science Projects – Vision, Touch, Synaesthesia – Brain Imaging – Sensory ethnography in Museums and Laboratory Settings – Experimental Cinema and the Gesture
Julien Cayla, Nanyang Technological University, Singapore
Marketing – Anthropology – Marketing of Sensation – Sociology of the Body – Cultural Mediation of the Senses
Cretien van Campen, Synesthetics Netherlands, Utrecht, The Netherlands
Netherlands Institute for Social Science, The Hague, The Netherlands
Psychology/Art History/Social Science – Synesthesia and Multisensory Perception – Sense Memories – Subjective Well-being – Elderly Care – Art-Science Projects
Caroline Cance, INCAS3, Assen, The Netherlands
Cognitive Linguistics – Situated Cognition – Hearing – Seeing – Holiperception – Sensory Discourses and Lexicon – Digital Technologies, Art and Senses
Joël Candau, Université de Nice-Sophia Antipolis, Nice, France.
Cognitive Anthropology – Olfaction – Cooperation – Memory – Identity – Cognition – Naturalism
Fiona Candlin, Birkbeck College, London, UK
Museum Studies – Touch – Objects – Museums/Art and the Senses – The Senses and Knowledge – Disability
Silvy Chakkalakal, Institute of Cultural Anthropology and European Ethnology, University of Basel, Switzerland
Cultural Anthropology — History of Science, Literature –Anthropology of the Senses in the 18th and 19th century — Visual Culture — Bildanthropologie/ Bildwissenschaft — Art and Anthropology — Experience and Evidence —Ethnographic Approaches
Helen Chatterjee, University College London, UK
Museum Studies – Museum Object Handling – Health – Touch
Béatrice Chevallier Caseau, Université Paris-Sorbonne, Paris, France
History – Late Antiquity, Byzantium, Middle Ages – Odors and olfaction – Synesthesia – Christian Liturgy – Food cultures

Isabelle Choinière, Université du Québec à Montréal (UQÀM), Montréal, CAN
Research-Creation – Performative Contemporary Scenes – Touch – Embodiment – Technology – Cross-sensory Perception (or Multi-Sensory Perception) – Multimodalities – Somatic (or Somatic Body)

Andrew Chrystall, Massey University, Auckland, New Zealand
Media Studies/Communication Studies – McLuhan – Media Ecology – Technology – Sensibility – Criticism – Satire
Constance Classen, Loyola International College, Concordia University, Montreal, Canada
Cultural History – All Senses – Religion – Gender – Aesthetics – Sensory Museums
Research Profile
Mark Clintberg, School of Critical and Creative Studies, Alberta College of Art + Design, Calgary, Canada
Art History – Taste — Touch — The Five Senses — Sensory Experience in Museums — Gustatory Taste in Contemporary Art
Erik Cohen, Prof. Emeritus, Hebrew University of Jerusalem, Jerusalem, Israel
(Retired and residing in Thailand)
Anthropology/Sociology – Sensory Tourism – Five Senses
Jonathan Cole, Poole Hospital and Universities of Bournemouth and Southampton
Clinical Neuroscience/Neurophenomenology – Touch and Proprioception – Chronic Pain – Movement
Steven Connor, Birkbeck College, University of London, London, UK
Literature/Cultural History – Hearing – Touch – Illusion – Animal Senses – Cross-sensory Perception
Carole Counihan, Professor Emerita, Millersville University, Millersville, PA, USA
Anthropology and Food Studies — Taste — Role of Taste in Food Activism
Rupert Cox, University of Manchester, Manchester, UK
Anthropology/Visual Anthropology – Sound – Vision – Sensory Media – Art and Anthropology – Acoustic Ecology – Mechanical Noise – Japan
Anne Cranny-Francis, University of Technology, Sydney (UTS), Sydney, Australia
Cultural Studies – Touch – Touch Technologies – Art and Touch – Sound Studies – Embodiment
Kate Crawford, MIT Center for Civic Media & Microsoft Research, Cambridge, MA, USA
Critical Media Studies / Technology Studies – Listening – Data – Noise – Sound
Carlo A. Cubero, Tallinn University, Tallinn, Estonia
Visual Anthropology, Ethnographic Cinema – Vision – Sound – Proprioception – Non-text based Methodologies – Post-Colonialism – Migration – Caribbean – Cinema
Robin Curtis, Heinrich-Heine-Universität Düsseldorf, Institute for Media and Cultural Studies
Film and Media Studies – Synaesthesia/Intermodal Perception – Touch – Immersion – Illusion
Jo Day, School of Classics, University College Dublin, Ireland.
Archaeology – Ancient Mediterranean – Olfaction – Synesthesia – Memory – Food – Ethnobotany
Sean A. Day, Trident Technical College, Charleston, South Carolina, USA
Anthropology and Linguistics – Synesthesia – Evolution of Perception – Cross-sensory Perception
Rita de Almeida Castro , Theatre Arts Department, Institute of Arts, University of Brasília, Brasília, Brasil
Theatre and Anthropology
Dramaturgy of the senses – Theatre – Performance – Poetics of the body – Art as an expanded field- Presence – Experience
Monica Degen, Department of Social Sciences, Media and Communication, Brunel University, London, UK
Sociology of the Senses — The City, Urban Culture and the Senses — Embodiment — Politics of Space and Senses — Sensory Methods
Judith Dehail, Department of Arts and Cultural Mediation, Aix-Marseille University, Marseille, France
Sensory Museology – Sound Studies – Music and Museum – Sound in Art – Hearing – Touchs – Cross-sensory Perception

Peter Denney, Griffith University, Queensland, Australia
Literature/History – Vision – Hearing – Landscape – Noise – Civility and the Senses – Romanticism

Peter Dent, University of Bristol, Bristol, UK
History of Art – The Five Senses – Sculpture – Proprioception – Spatio-temporal Motion – Late Middle Ages – Phenomenology
Robert Desjarlais, Sarah Lawrence College, Bronxville, New York
Anthropology – Sensory Biographies – Tibetan Buddhism – Suffering – Healing – Death – Subjectivity
Piet Devos, Concordia University, Montreal
Senses in Literature — Visual/Blind Culture — Haptics — Dis/ability — Avant-Garde Poetics
Madalina Diaconu, University of Vienna, Vienna, Austria
Aesthetics – Phenomenology of Perception – Touch – Smell – Taste – Atmosphere – Urban Sensations
Nélia Dias, ISCTE/IUL, Lisbon, Portugal
Anthropology – The Five Senses – Cultural History of the Senses – Measurement of the Senses – Ethnographic Museums
Research Profile
Pip Dickens, Lancaster University Fine Art (LICA), Lancaster, UK
Painting – senses in the studio – senses in art practice – movement and thinking as a sense –

Ainsley Hawthorn, Yale University, New Haven, CT, USA
New Eastern Studies/Assyriology – Mesopotamian Literature and Religion – Vision – Gaze as a Divine Power – Senses in Literature – Language of Perception

Jan Dietrich, Department of Theology, Aarhus University, Aarhus, Denmark
Hebrew Bible and ancient Near Eastern Studies – Hearing and Seeing – Thinking and the Senses – Ritual and the Senses
Emma Dillon, Department of Music, King’s College London, UK
Musicology/Medieval Studies – Medieval Music and Sound – Sound Studies – Materiality of Sound – Performance – Emotions
Greg Downey, Macquarie University, Sydney, Australia
Anthropology – Vision – Hearing – Proprioception – Sensory Training – Perception in Sports – Biocultural Approaches to Sensory Variation
Henry John Drewal, University of Wisconsin-Madison, Madison, WI, USA
Arts History/Visual Culture – Seven Senses – Senses in the creation
and reception of the Arts (Focus on Yoruba/ African and African Diaspora Arts)
Rosalyn Driscoll, Independent Artist/Sculptor, Northampton, MA, USA
Tactile Sculpture – Somatic/Haptic Art – Art and the Senses – Multi-sensory Aesthetic Experience
Jim Drobnick, Ontario College of Art & Design, Toronto, Canada
Aesthetics – Curatorial Studies – Performance – Contemporary Art – Sound in Art – Smell in Art – Senses in Art
Danièle Dubois, CNRS, Paris France
Psychology/Linguistics/Cognitive Science – All Senses – “Synesthesia” – Sense Experience – Linguistic Expression – Semantic Categories
Holly Dugan, George Washington University, Washington, DC, USA
English Literature – Olfaction – Perfume – Social meanings of olfaction – Senses in
Literature – Histories of Gender and Sexuality – Material Culture
Alison Dundes Renteln, Political Science, University of Southern California, Los Angeles, California, USA
Political Science/Anthropology/Law and Public Policy — Law and the senses — Acoustic Jurisprudence — Visual Culture — human rights
Thomas S. Eberle, University of St. Gallen, Switzerland
Sociology – Phenomenology – Senses and Sensations – Interpretation – Synesthetic Perception – Smell – Qualitative Methods
Tim Edensor, Manchester Metropolitan University, Manchester UK
Primary Sense or Senses (e.g. Hearing, Proprioception, or The Five Senses, etc) — Cultural Geography — Multi-sensory apprehension of space, place and landscape — Sensation and light and dark — Senses and mobility — Habit, rhythm and sensation — Tourism and sensation — Ruins and sensation

Werner M. Egli, University of Zurich & University of Lucerne, Switzerland
Anthropology — South Asian and Himalayan Studies — Theory of Practice and Phenomenology — Atmosphere and Trance — Concepts of the Person — Shamanic Ritual — Legal Anthropology

Nina Sun Eidsheim, University of California Los Angeles, Los Angeles, California, USA
Musicology – Voice – Music since 1950 – Cross-sensory Perception – Materiality – Transduction – Race – Ethics of Music
Research Profile
Charlene Elliott, University of Calgary, Calgary, Canada
Communication Studies – Colour Communication – Sensory Branding – Sensory Marks (Trademarking of the Senses) – Taste/Taste Cultures
Kate Elswit, University of London, Royal Central School of Speech and Drama
Dance/Theatre/Performance — Embodiment — Breath — Spectatorship — Movement and Mobility — Technology — Cultural History
Nina Ergin, Koç University, Istanbul, Turkey
Islamic Art History – Ottoman Architecture – Soundscape – Five Senses in Relation to Architecture
Veit Erlmann, University of Texas at Austin, U.S.A.
Ethnomusicology, Anthropology – Hearing – History of Otology – Auditory Culture – Acoustics – Music
Barbara Erwine, University of Washington and Independent Consultant, Seattle, Washington, USA
Architecture/Built Environment – The Five Senses – Place Making – Sensory Design – Illusion
Maria Fernanda Esteban P, University of Pennsylvania, Philadelphia, USA.
Anthropology/Cultural heritage/Law — The five senses — Material culture & the body — Indigeneity — Identity
Nicholas Evans, Australian National University, Canberra, Australia
Linguistics – All Senses – Metaphorical/Cognitive Projections of the Senses – Linguistic Typology – Language Culture Nexus
Lara Farina, West Virginia University, Morgantown, WV, USA
Medieval Literature and Culture – Tactility/Haptics – Senses and Reading – Sexuality – Disability
Abou Farman, The New School for Social Research, New York, NY, USA, Department of Anthropology
The Synaesthetic field – or sensing beyond the five senses 
Kennan Ferguson, University of Wisconsin, Milwaukee, USA
Political Science – Aesthetics – Taste – Cookbooks – Sensorial Pluralism – Inhuman Sensation
Steve Ferzacca, University of Lethbridge, Lethbridge, AB, Canada
Anthropology – Sound – Lived Experience – Medical Anthropology – Indonesia – Deep Sound – Somaphoric Organization
Ruth Finnegan, Open University, Milton Keynes, UK
Anthropology/ Interdisciplinary – All Senses – Communication – Multimodality – Performance
Jennifer Fisher, York University, Toronto, Canada
Aesthetics – Curatorial Studies – Contemporary Art – Affect and Art – Intuition and Art – Touch in Art – Senses in Art
Danuta Fjellestad, Uppsala University, Uppsala, Sweden
Contemporary Literature — Book Studies — Aesthetics — Touch in Literature — Smell in Literature — Sensory Embodiment
Rick Flowers, School of Education, University of technology Sydney
Pedagogies – Food – Senses and Sociality – Visceral and embodied
Phil Ford, Jacobs School of Music, Indiana University, Bloomington, IN
Musicology – Hearing – Consciousness – Avant-Garde and Counterculture – Performance – Presence and Experience – Mysticism
Vaike Fors, Halmstad University, Sweden
Educational Sciences — Pedagogy — Cultural Studies — Sensory Emplacement — Situated Learning — Public Pedagogy — Sensory ethnography — digital media
Rayvon Fouché, Purdue University, Illinois, USA
History/American Studies/Science and Technology Studies – Sound-Visualization –Fatigue – Sport – Design – Technology,_Rayvon.html
Georgia Frank, Colgate University, Hamilton, New York, USA
Religious Studies
Sight -Touch – Inner/Spiritual Senses – Ancient Christian literature – Byzantine liturgy – emotions – pilgrimage – asceticism – song
Johannes Frasnelli, Université de Montréal, Montréal, Québec, Canada
Neuroscience – Smell – taste – trigeminal system – crossmodal integration – crossmodal plasticity – neuropsychology – clinical
Martin French, Concordia University, Montreal, Canada
Sociology — Sensing Technologies — Surveillance — Risk

Erica Fretwell, University at Albany, SUNY, Albany, New York, USA
Literature — The Five Senses — Race, Sex, and Disability — History of Science —Material Culture — Aesthetics —Affect Studies

Emmanuelle Friant, Université de Montréal, Montréal, Canada
Early Modern History – The Five Senses – Material Culture of Catholicism – Devotional Objects – Corporeality and Affects – Self and Identity – Confessionalization
Asia Friedman, University of Delaware, Delaware USA
Sociology — Vision — Culture and Cognition — Social Theory — Body — Sex and Gender — Medical Sociology
Michele Friedner, Massachusetts Institute of Technology, Cambridge, MA
Anthropology – Hearing – Sensory Difference – Senses and Sociality – Senses and the City
Norm Friesen, Visiting Professor, University of British Columbia, Vancouver BC, Canada
Media Studies – Phenomenology – Embodied Experience – Technology and the Senses – Pedagogy and the Senses
Jean-Marie Fritz, University of Burgundy, Dijon, France
Hearing – Medieval Literature (French and Latin) -– Synaesthesia – Medieval Soundscape – Hierarchy of the Five Senses
Ann Gagné PhD, Seneca College, Toronto, Canada
English Literature — Touch — Ethics of Tactility — Touch in Literature — Negotiating Architecture through Touch — Touch and Pedagogical Practices
Michael Gallagher, University of Glasgow
Geography/Sociology/Music – Sound and Hearing – Sonic Research Methods – Acoustic Ecology ­– Field Recording – Environmental Noise – Audio Media – Minimal and Repetitive Music
Charles Victor Ganelin, Miami University, Oxford, OH, USA
Literature/Literary Criticism — Early Modern Spain — Cultural History — The Senses — Touch — Skin — Senses in Literature
Abbie Garrington, Durham University, Durham, UK
Modernist Literature/Culture – Touch – The Haptic – Hands – Prosthetics – Affect – Epistolary Practice
Marie-Luce Gélard, Université Paris-Descartes, France
Anthropology of Kinship and Sensorial Anthropology – Senses – Consubstantiality – Sensory Language
Charlie Gere, Lancaster Institute for Contemporary Arts, Lancaster University, United Kingdom
Media Theory and History – Touch – The Digital – Technics and Community – Non-Community – Art – Technics – Deconstruction
Walter S. Gershon, Kent State University, Kent, Ohio, USA
Education – Curriculum Studies – Qualitative Methodologies – Urban Education – Sensual Curriculum – Sound – Improvisation
Kathryn Linn Geurts, Hamline University, St. Paul, Minnesota, USA
Anthropology – African Studies – Embodiment – Sensory Socialization – Disability Sensibilities

Giampietro Gobo, University of Milan, Milano, Italy
Sociology – Visual Hearing – Cross-sensory Perception – Socio-physiology of Senses – Senses in Teamwork

Federica Goffi, Azrieli School of Architecture & Urbanism, Carleton University, CA
Architecture/Theory – Proprioception, Body Image & Body Schema – Cross-Modal Perception – Hearing – Touch – Vision
Dora Goldsmith, Freie Universität Berlin, Berlin, Germany
Sense of smell in ancient Egypt — Archaeology of Smell — Odor memory — Smell maps — Smell and hierarchy — Smell and rituals — Perfumery
Darra Goldstein, Williams College, Williamstown, MA, USA
Food Studies/Cultural History – Taste – Visual Culture – Cultural Perceptions – Food in Art – Food in Literature
Greg Goodale, Northeastern University, Boston, USA
Communication Studies and Law & Public Policy – Sound  – Reading Sound – Animal (including human) Sensation – Posthumanism
Adeline Grand-Clément, Université de Toulouse 2, Toulouse, France
Greek History — Anthropological History — Perception of Colors — Rituals — Polysensoriality — Reception of Antiquity
Temple Grandin, Department of Animal Sciences, Colorado State University Animal Behavior – Animal Sciences – Visual Thinking – Senses in Design
Cristina Grasseni, Bergamo University, Bergamo, Italy
Visual Anthropology – Anthropology of Food – Anthropology of Place – Vision, Taste and Belonging – Skilled Visions, Enskilment – Reinvention of Food, Participative Cartography – Sense of Place
Research Profile
Anna Grimshaw, The Graduate Institute of the Liberal Arts, Emory University, Atlanta, USA
Anthropology – Ethnographic Film – Visual in Anthropology – Art and Anthropology
Mark Grimshaw, Aalborg University, Aalborg, Denmark
Computer Game Sound – Hearing – Biofeedback – Emotioneering – Embodiment – Creativity
Benjamin Griswold, University of Denver, Denver, Colorado, USA
Design/Media Studies – Exhibition Environments – Phenomenology – Multimodal Learning – Attention – Site-specific/Site-responsive Design – Spatial Narratives
Bianca Grohmann, Concordia University, Montreal, Canada
Marketing/Consumer Research – Touch – Olfaction – Vision – Music – Retail Amospherics – Brand Design

Karen Grøn, Trapholt Museum of Modern Art and Design, Kolding, Denmark
Art – Design – Curating – Taste – Synaesthesia – Aesthetics

Jukka Gronow, Department of Sociology, Uppsala University, Uppsala, Sweden
Sociology – Taste – Food – Sociology of Taste – Cultural Distinctions – Culinary History
Catherine Guastavino, McGill University & CIRMMT, Montreal, Canada
Information Studies – Hearing – Touch – Music – Soundscapes – Situated Cognition – Digital Technologies

Daniela Hacke, Freie Universität Berlin, Berlin, Germany
Cultural History – The Five Senses – Knowledge and the Senses – Natural History and Senses – English Empire

Mack Hagood, Miami University, Oxford, Ohio, USA
Media Studies/Anthropology — Hearing — Audio Technologies — Tinnitus — Care of the Self — Embodiment — Sonic-Spatial Relations — Disability — Film Sound
Ian Hague, Comics Forum, Leeds, UK
Media Studies — Literature — History — The Five Senses — Experiences of media through the senses — Graphic narratives (comics and graphic novels) — Sensory experiences of reading
Tomie Hahn, Rensselaer Polytechnic Institute, Troy, NY, USA
Performance/Art/Ethnography – Six Senses – Transmission/Pedagogy – Culture – Embodied Knowledge – Creativity – Performance – Technology –Consciousness – Meditation/Ritual
Yannis Hamilakis, University of Southampton, UK
Archaeology — sensoriality and material culture — food and the senses — affect and the senses — sensorial memory — senses and photography
Gili Hammer, University of Michigan, Ann Arbor, USA
Anthropology – Multisensory/Sight – Gender Studies – Feminism – Disability Studies – Blindness- Performance Theory – Sensory Ethnography – Israel
Anna Harris, Technology and Society Studies Department, Maastricht University, Maastricht, The Netherlands
Medical Anthropology/Science and Technology Studies – Senses and medical practices – Listening – Skills – Bodies – Materials – Cooking
Elizabeth D. Harvey, University of Toronto, Toronto, Canada
English/Cultural History – Touch – Five Senses – Emotions – Psychosomatic studies –Consciousness
Graham Harvey, The Open University
Religious Studies — religion and the senses — including senses of place, belonging, deportment as well as the usual five or six — religion as sensual, corporeal, performative, relational
Ainsley Hawthorn,, Yale University, New Haven, CT, USA
Near Eastern Studies/Assyriology – Mesopotamian Literature and Religion – Vision – Gaze as a
Divine Power – Senses in Literature – Language of
Eva Hayward, University of Arizona, Tucson, United States
Aesthetic, Environmental, and Sexuality Studies — Tactility — Synesthesia —
Multi-species Sensations — Im/Materialism — Phenomenology of Oceans
Lisa Heldke, Gustavus Adolphus College, St. Peter, Minnesota, USA
Philosophy/Food Studies – Taste – Cultural Food Colonialism – Cosmopolitanism and Localism
Research profile
Stefan Helmreich, MIT, Cambridge, Massachusetts, USA
Anthropology/Science and Technology Studies – Hearing – Sound in Science – Nonhuman and Cyborg Sensing – Sound/Noise Art – Underwater Sound/Music
Victoria Henshaw, Manchester Architecture Research Centre, University of Manchester, UK
Architecture – Urban Design – Smell – Smellwalks – Sensory Perception
Sonsoles Hernandez Barbosa, Universidad de las Islas Baleares, Palma, Balearic Islands, Spain
History of Art/Musicology — Cultural History — Interartistic Studies — fin-de-siècle Paris — Synaesthesia — Sensory History
Ralf Hertel, University of Trier, Germany
Literature – Human Body in Literature – Senses and Sensation in Literature – Reader Response Theory – Aesthetics
Rachel Herz, Brown University, Providence, RI, USA
Psychology – Evolution – Olfaction – Emotion – Memory – Perception – Sexuality
Ian Heywood, Lancaster University, Lancaster, UK
Visual Art – Practice and Theory – Visuality in Relation to Mind and Body – Aesthetics –Ethics – Visual and Sensory Culture
Ben Highmore, University of Sussex, Brighton UK
Cultural Studies – The Visual – Taste – Multi-sensory life – Social aesthetics – Mood
Zulfikar Hirji, York University, Toronto, Canada
Anthropology — History — Islamic Studies — World Sensory Systems — Pedagogies of Sensation
Ai Hisano, Harvard Business School, Boston, USA
History – Taste – Vision – the Color of Food – Sensory Marketing

Larissa Hjorth, RMIT University, Melbourne, Australia
Digital Ethnography – Mobile Media Practices – Creative Social Practice – Haptic Visuality – Social Proprioception – Sensorial Performative Cartographies – Ambient Play – Multisensorial and Multispecies Methods

John Hockey, University of Gloucestershire, Cheltenham, UK.
Sociology/Phenomenology – The Five Senses – Sporting Bodies – Occupational Bodies –Physical Literacy
William Hope, Knox College, Galesburg, IL, USA
Anthropology/Ethnomusicology – Aesthetics – Performance – Senses of Place – Sound – Movement
David Howes, Concordia University, Montreal, Canada
Anthropology – The Five Senses – Sixth Sense – Melanesia – Museums – Commodification of Sensation – Intersensoriality
Hsuan L. Hsu, University of California, Davis, Davis, USA
Literary Studies – Atmospheric Geographies – Olfactory Art – Environmental Risk – Race -Sexuality – Disability
Alexandra Hui, Mississippi State University, Mississippi State, MS, USA
History/History of Science — Hearing — Psychophysics — Sensory Perception Theory — Sound in Science — Scientific Listening
Bertil Hultén, Linneaus University, Kalmar Växjö, Sweden
Business/Marketing – The five senses – Touch – Multi-Sensory Brand-Experience – Sensory Marketing
Lynne Hume, The University of Queensland, Brisbane, Australia
Studies in Religion/Anthropology – Six Senses across Cultures – Senses and Ritual – Spiritual Experiences – Altered States – Shamanism – Paganism
Alan Hyde, Rutgers University, Newark NJ, USA
Law – Legal and Political Theory – Discursive Construction of Body – Constructed Nature of Body Experience – Body Experience as Foundational in Political Theory – Body Boundaries – Body Display – Abjection of Polluting Bodies
Tim Ingold, University of Aberdeen, Scotland, UK.
Anthropology – Vision, Hearing and Touch – Phenomenologies of Perception – Light, Sound and Feeling in Anthropology, Archaeology, Art and Architecture
Andrew Irving, Granada Centre for Visual Anthropology, University of Manchester, Manchester, UK
Anthropology – Transformations in Bodily and Sensory Perception – Art – Performative and Collaborative Ethnography – Time and Imagination – Illness, Death and Dying
Andrew Irving
Deborah Davis Jackson, Earlham College, Richmond, IN, USA
Anthropology and Environmental Studies – Five Senses – Smell – Great Lakes Region – Senses of Place – Canadian Studies, First Nations/Native Americans
Myles W. Jackson, New York University, USA
History of Science – Hearing – History of Acoustics – Machines and Aesthetics – The Body and Intellectual Property
Jan Jagodzinski, University of Edmonton, Alberta, Canada
Visual art and media education — Multisensory (film, installation) — Anthropocene — technological unconscious — Deleuze|Guattari|Laurelle
Malcolm James, University of Sussex, Brighton, UK
Sociology/Cultural Studies – Hearing – Touch – Taste – Smell – Sound Cultures – Migration and the Border
Martin Jay, U. of California, Berkeley, USA
European Intellectual History – Critical Theory – Visual Culture – Sight – Discourses surrounding Visuality, Nominalism and Visual Experience
Geraldine A. Johnson, University of Oxford, Oxford, U.K.
History of Art – Touch – The Five Senses – Reception/Production of Art and the Senses – Sculpture – Photography and (De)Sensitization – Art Theory and the Senses
Caroline A. Jones, Massachusetts Institute of Technology, Cambridge MA, USA
Architecture – Art History – Aesthetics/Criticism – Curating – Senses in Contemporary Art / History – Synaesthesia – Sound Art – Body Knowledges
Dinah Jung, University of Heidelberg, Cluster Asia, Germany
Asian Cultural Studies — Olfactory Aesthetics and Perfumery — Asian Fine Arts — Meditation — Alternative Therapies
Robert Jütte, Institute for the History of Medicine of the Robert Bosch Foundation, Stuttgart, Germany
History – Medical and Cultural History of the Five Senses
Devorah Kalekin-Fishman, Faculty of Education, University of Haifa, Israel
Sociology – Hearing – Ideology of Sound -, Sound in Everyday Life – Construction and Construal of Music
Research Profile
Bill Kapralos, University of Ontario Institute of Technology, Oshawa, Canada
Computer Science — Virtual Reality — Hearing — Visual — Multimodal Interactions — Spatial Sound Generation
Farah Karim-Cooper, Shakespeare’s Globe, London, United Kingdom
Theatre History/Performance/Shakespeare Studies/Early Modern Culture and Gender –Touch and Taste – Shakespeare and the Senses/Performance and the Senses/ Tactility and Theatre Going in Early Modern England – The Hand and Early Modern Drama – The Senses and Emotions
Brian L. Keeley, Pitzer College, Claremont, California, U.S.A.
Neurophilosophy – Sensory individuation – Philosophy of Perception – Electroreception – Animal Senses – Neuroethology
Hildegard Elisabeth Keller, Indiana University, Bloomington, Indiana, USA / University of Zurich, Zurich, Switzerland
Literature / Cultural History – Medical History – Theatre – Seeing the Invisible – Visions –Hearing and Historic Languages – Cross-Sensory Perception and Narrative

Nicolas Kenny, Simon Fraser University, Vancouver, Canada
History — The Five Senses — Cities — Body — Experience of Urban Space — Industrialisation — Emotions
Andrew Kettler, University of South Carolina, Columbia, United States
History — Smelling — Sensory Skills — Racialization — Early Modern
Barbara Kirshenblatt-Gimblett, New York University, United Sates
Performance Studies – Vision – Proprioception – Taste – Museums – Jews – Memory –Tourism – Heritage

Dorit Kluge, hwtk Hochschule für Wirtschaft, Technik und Kultur, Berlin, Germany
History of Art – Management/Marketing – Five Senses – Art Criticism – Art and the Senses – Sensory Museums – Sensory Tourism –Sensory Marketing
Terry Knight, MIT, Cambridge, MA, USA
Architecture – Design and Computation – Shape Grammar – The Body and Senses in Making Spaces and Things
Dorinne Kondo, University of Southern California, Los Angeles, California, USA
Anthropology – Movement/Performance – The Sensorium – Knowledge and Corporeality – Performance
Josh Kun, USC Annenberg School for Communication & Journalism, Los Angeles, USA
Popular Music – Sound – Borders – Mexico – Globalization – Archives – Race
Carolyn Korsmeyer, University at Buffalo (SUNY), Buffalo, New York, USA
Philosophy – Taste – Touch – Sense Experience and Aesthetics.
Gabriel Koureas, Birkbeck, University of London, London, Country: UK
History of Art / Visual Culture History – The Five Senses  – Senses and Art, Memory, Trauma
Stefan Krebs, University of Luxembourg
History of Technology – Sound Studies – Car Sound (Design) – Listening Practices
Monika Kritzmöller, University of St. Gallen / Switzerland & “Trends+Positionen“, St. Gallen / Switzerland
Sociology – Sense of Touch – Fashion – Textiles – Aesthetics – Architecture – Style and Taste

Marc Lafrance, Concordia University, Montreal, Quebec, Canada
Sociology – Skin – Subjectivity – Embodied Experience – Body Image – Body Modification

Tarja Laine, University of Amsterdam, The Netherlands, and University of Turku, Finland
Film Studies — The Five Senses — Synaesthesia — Senses in Film Aesthetics — Cinema of the Senses — Senses and Emotions
Frederick John Lamp, Yale University, New Haven, Connecticut, USA
Curating/History of Art/Theater Studies – Multisensory Production – Embodied Knowledge – Senses in Theatre and Museum, African Performance
Paul S. Landau, University of Maryland at College Park, MD, USA
History – Africa – Photography – Cross-cultural Interpretation –Colonialism and the Image – Technology of Production
Christian Lange, University of Utrecht, Utrecht, The Netherlands
Islamic and Arabic Studies – The Five Senses in Islam
Julie Laplante, Sociology and Anthropology, University of Ottawa, Ottawa, Canada
Anthropology – Medicine – Sound Healing – Plants – Phenomenology – Life – Indian Ocean
Medina Lasansky, Cornell University, Ithaca, New York, USA
Architecture – History – Senses of Place – Bodies in Space – Sensory Tourism 
Frédéric Laugrand, Université Laval, Québec, Canada
Anthropology – History – Visual anthropology – Inuit studies – Philippines-Indian Ocean Images – Sounds – Animal Senses- Art – Rituals – Senses in Hunting – Orality
Paul Lawrie, University of Winnipeg, Winnipeg, Canada
History/American Studies –Racial Bodies – Time and Race – Sensing Temporalities – Sensing Labor – Disability
Louise Lawrence, University of Exeter, Exeter, UK.
Biblical Studies – Disability Studies – Anthropology – Sensory Disability
Helen Rees Leahy, University of Manchester, Manchester, UK
Museology/Museum History – Embodiment – Viewing – Walking – Attention – Gender – Class – Curation
Matthew Leonard, University of Bristol, Bristol, UK
Modern Conflict Archaeology — Conflict culture — The five senses — The sensorium — Kinaesthesia — Synaesthesia — Sensory deprivation — First World War subterranean conflict landscapes — The material culture and sensescapes of modern conflict
Richard Leppert, Department of Cultural Studies & Comparative Literature, University of Minnesota, Minneapolis, MN, USA
Musicology – Art History – Critical Theory – Hearing – Seeing – History of the Five Senses

Alison Lewis, I HEART SWITCH, Philadelphia, PA, USA
Fashion/Interior Technology – Touch – Perception – Augmented Reality – Wearable Sensory Fashions – Designing Sensory Interiors

Benjamin Lindquist, Princeton University, Princeton, New Jersey, USA
History – Sound and Vision – Language – Mimesis – Synthetic Speech – Painting – Art – Time – Religion

Philomène Longpré, Concordia University, Montreal, Canada
New Media Art – Anthropology – Multisensory Manifestation – Embodiment – The Sensible – Responsive Video Membranes
Christopher Looby, University of California-Los Angeles, Los Angeles, CA, USA
Literature – History – Smell – Touch – Virtuality – United States
Kelvin E.Y. Low, National University of Singapore
Sociology/History – Smell – The Senses – Embodied Memories – Sensing Bodies – Senses in Asia – Senses in History
Scott A. Lukas, Lake Tahoe Community College, South Lake Tahoe, California
Anthropology and Interdisciplinary – The Five Senses – Sensory Tourism – Theming and the Senses – Remaking the Senses – Authenticity – Identity – Theme Parks
Deborah Lupton, Faculty of Arts and Design, University of Canberra, Australia.
Sociology – Embodiment – Food – Emotions – Digital Technologies User’s Experience
David MacDougall, Research School of Humanities, Australian National University, Canberra, Australia
Social Aesthetics – Visual Anthropology – Anthropology of Childhood – Sensory Anthropology – Cinema and the Senses
Adam Mack, The School of the Art Institute of Chicago, Chicago, IL, USA
History – The Five Senses – Sensory Urban History – Sensory Marketing
Fiona Macpherson, University of Glasgow, Glasgow, United Kingdom
Philosophy – Individuating, Comparing and Contrasting the Senses – Sensory Substitution and Deficits – Cross-Modal Perception – Synaesthesia – Representation and Phenomenal Character – Cognitive Penetration
Stephanie Mähl, Central Saint Martins, University of the Arts London, London, UK
Applied Imagination – Smell Culture – Olfactory Identity
Kimberly Mair, University of Lethbridge, Lethbridge, Canada
Sociology – Intersensoriality – Senses and Subjectivity, Space, and Communication
Asifa Majid, Max Planck Institute for Psycholinguistics, Nijmegen, The Netherlands
Psychology/Anthropology/Linguistics – The Five Senses – Language of Perception – Relative Codability of the Senses
Timothy de Waal Malefyt, Fordham University, New York, USA
Anthropology – Sensory Studies of Marketing and Consumption
Joy Monice Malnar, University of Illinois at Urbana-Champaign, USA
Architecture – Sensory Design – Multi-Cultural Design – Sense of Place
Martin F. Manalansan IV, University of Illinois at Urbana-Champaign, USA
Anthropology – Smell and Taste – Smell and Social Difference – Smell Technologies – Flavour – Urban Life – Food
Anna Mann, University of Copenhagen, Copenhagen, Denmark
Anthopology – Tasting – Body – Everyday Life – Medicine – Science
Avigail Manneberg, University of Minnesota, Minneapolis, MN, USA
Studio Art – Vision and Hearing – The Sound of Painting and Drawing – Performance

Antonio Marazzi, University of Padova, Italy
Cultural Anthropology – Hearing – Anthropological Fieldwork in Aurality – Vision

James G. Mansell, University of Nottingham, Nottingham, UK
History – Cultural Studies – Hearing – Subjectivity – Modern Enchantment – Music and Commemoration – Documentary Film

Elke Mark, Europa-University Flensburg, Germany
Artist-Researcher — Equilibrioception — Touch — Kinesthetic Sense — Thinking Body — Encounter — Performance Art
Laura U. Marks, Simon Fraser University, Vancouver, Canada
Cinema Studies/Art History – Vision – Smell – Experimental Cinema – New Media – Art in the Arab World – Intercultural Aesthetics

Sarah Maslen, University of Canberra, Canberra, Australia
Sociology — Hearing — Embodiment — Sensory Work — Sensory Knowing — Ethnography — Technology and the Senses
Ruth Mateus-Berr, University of Applied Arts, Vienna, Austria
Interdisciplinary – Cultural Sciences – Art – The Five (Six) Senses – Sensory Design – Science & Performance Art – Cross-sensory Perception – Sensual Urbanism & Architecture

Mohan Matthen, University of Toronto, Toronto, Canada
Philosophy of Perception/Philosophy of Mind – The Senses – Object Perception – Perceptual Action – Perceptual Learning – Perceptual Space – Pleasure – Aesthetic Value

Maureen Matthews,The Manitoba Museum, Winnipeg, Canada
Anthropology — First Nations — Museum Ethnography — Anthropology of Art — Sense of Place — Personhood — Memory — Social Agency of Objects
Shannon Mattern, The New School, New York, USA
Media Studies – Design Studies – Urban Studies – Hearing – Touch – Sensory Media – Spatio-sensory Experience – Media Architecture

Ulrika Maude, Bristol University, Bristol, UK
Modern Literature – The Five Senses – Modernism – Phenomenology – Technology and the Senses – Medicine and the Senses – Sensory Perception and Affect
Catherine Maxwell, Queen Mary, University of London, London, UK
English Literature – Victorian Literature and Culture – Olfaction – Perfume – Ambience – Aesthetics – Sexuality
Carla Mazzio, University at Buffalo, SUNY, USA
Literature/History of Science – Touch, Vision, Hearing – Sensory Disintegration – Senses and Affect, Mathematics, Rhetoric, Theater, and History of the Book
Maddalena Mazzocut-Mis, Università degli Studi di Milano, Milano, Italy
Aesthetics – Aesthetics of Performing Arts – Senses in Theatre, Performance – English and French Eighteenth-Century Aesthetics
Derek McCormack, University of Oxford, Oxford, UK
Geography – Senses of Movement – Body-spaces – Affectivity – Rhythm – Airspace and Atmosphere – Remote Sensing
Kevin McSorley, University of Portsmouth, UK
Sociology/Interdisciplinary – War, violence and sensory experience – Militarized sensation – Embodiment – Affect – Sensory Ethnography
James McHugh, University of Southern California, Los Angeles, USA
Smell – Sensorium – Perfumery – India – South Asia – Aromatics Trade – Smell in Religion
David Melcher, Center for Mind/Brain Sciences, University of Trento, Italy
Cognitive Neuroscience ­­–­ Psychology ­­– Interdisciplinary Interactions between Action and Perception (in particular, Visual and Motor Systems)
Birgit Meyer, VU University Amsterdam, Netherlands
Anthropology/Religious Studies/ Interdisciplinary – Vision – Aisthesis – Visual Culture – Religion and Media – Material Religion – Pentecostalism – Senses and Community
Kathy Mills, Queensland University of Technology, Kelvin Grove, Qld, Australia
Education – sensoriality – literacy research – senses in filmmaking – digital technologies – embodiment and learning – kinesis and learning
Mara Mills, New York University, New York, U.S.
Media Studies/Disability Studies/History of Science – Communication Technologies Audiovisuality – Electroacoustics – Signal Processing – Haptic Technology – Sensory Difference
Jon P Mitchell, University of Sussex, Brighton, UK
Anthropology – Religion – Sport – The Body – Performance – Morality and Experience
Cyrus Mody, Rice University, Houston, Texas, USA
History of Science and Technology/STS – Hearing – Laboratory Sounds – Counterculture and Disability Technologies
Brian Moeran, Creative Encounters, Copenhagen Business School, Denmark
Economic and Social Anthropology – Smell – Incense – Olfactory Marketing – Production Processes
Nayanika Mookherjee, Social Anthropology, Durham University, UK
Anthropology/Interdisciplinary – Melancholia – Hope – Affect – Art – Aesthetics – Reconciliation – War – Nation
Daniel Morat, Free University Berlin, Berlin, Germany
History – The City, Urban Culture and the Senses — Politics of Sound — Auditory Knowledge — The Senses and Historical Imagination
Nina Morris, University of Edinburgh, Edinburgh, UK
Geography – The Five Senses – Art in Natural Environments – Camping – Naturism – Sensescape – Nature
Joe Moshenska, Trinity College, University of Cambridge, UK
English Literature — Interdisciplinary Renaissance Studies — Touch — The history of food and eating
Bodo Mrozek, Centre for Contemporary History (ZZF), Potsdam/Berlin, Germany
Contemporary History of the Senses – Smell – Hearing – Popular Culture – Politics of the Senses
Welleda Muller, Université Paris-Sorbonne, Paris, France
Interdisciplinary Art History/Musicology — Sound in Sacred Space —Senses in Medieval Art — Cross-sensory Perception — Profane Iconography — Liturgical Furniture — Iconography of the Human Body
Emilie K M Murphy, University of York & Royal Historical Society Centenary Fellow 2013-2014 at the Institute for Historical Research, University of London, UK
Early Modern Cultural History — Soundscapes— Synaesthetic responses to Music — Noise — Listening / Performance Practices
Natasha Myers, York University, Toronto, Canada
Anthropology and Science & Technology Studies – Embodied Vision – Kinesthesia – Movement/Affect/Gesture – Plant Sensoria – Senses in Science & Art – Dance
Carla Nappi, University of British Columbia, Vancouver, Canada
History – The Five Senses – Senses in Medicine – Translation – China
Kiersten Neumann, Oriental Institute, University of Chicago, Chicago, USA
Near Eastern Art History/Archaeology – All Senses — Senses, Material Culture, the Built Environment – Sensory Experience and Ritualized Practice – Perception, Reception, and Interaction – Aesthetics and Affect
Norie Neumark, La Trobe University, Melbourne, Australia
Media Arts/SoundStudies – Voice – Sound Art – Memory and Place – Sound in Contemporary Art – Aesthetics – Performativity – Curating
Richard Newhauser, Arizona State University, Tempe, Arizona, USA
English – Medieval Studies – History of Ideas – The Five Senses – Multisensoriality – Visual Culture – Sensorial Ethics
Jane Nisselson, ITP, Tisch School of the Arts, NYU, New York, USA
Visualization – Media Arts – Filmmaking – Perceptual Systems – Sense Mapping – Data Sets
Claus Noppeney, Bern University of Applied Sciences, Bern / Zurich, Switzerland
Organization Studies — Design Studies — Cultural Studies — Smell — The sense of smell in business, culture & society
Irene Noy, The Courtauld Institute of Art, University of London, London, UK
History of Art — Seeing — Hearing — Senses in Art — Senses and Gender — Curating — Cross-sensory Perception
Matthew Nudds, Matthew Nudds, University of Warwick, Coventry,UK
Philosophy – Auditory perception – Philosophy and Psychology of Perception – The Five Senses – Crossmodal and Amodal Perception

Claudia Núñez Pacheco, Universidad Austral de Chile, Valdivia, Chile
Design and HCI (Human-Computer Interaction) – Embodied Self-Awareness – Eugene Gendlin’s Felt Sense – The Body in Design

Casey O’Callaghan, Rice University, Houston, United States
Philosophy – Hearing and Sound – Multisensory and Crossmodal Perception – Speech Perception
Boon Lay Ong, School of Built Environment, Curtin University, Australia
Architecture – Heat, Light and Sound – Cross-sensory and Multi-sensory Perception
John Onians, School of World Art Studies, University of East Anglia, Norwich UK
Art History – All the Senses – Neuroscience – Art as a worldwide phenomenon

María José Ortúzar Escudero, Universidad de Chile, Santiago, Chile
History – Medieval Studies – The Five Senses – Philosophy of Sense Perception – Sensory Metaphors – Sense Perception and KnowledgeíaJoséOrtúzarEscudero

Yoshimi Osawa, Kyoto University, Kyoto, Japan
Ethnobiology — Anthropology — Taste — Smell — Food — Culture, Perception and the Senses — Business and Senses

Simon O’Sullivan, Goldsmiths College, University of London, UK
Visual Culture – Aesthetics – Art Theory – Continental Philosophy – Contemporary Art – Psycho/Schizo-analysis – The Production of Subjectivity
Sven Ouzman, Iziko South African Museum, Cape Town, South Africa
Anthropology/Archaeology – Multiple senses  – Archives  – Museums  – Graffiti  – Rock Art
Eric Palazzo, University of Poitiers, Centres d’études supérieures de civilisation médiévale, Institut universitaire de France (Paris), Poitiers, France
Art History – Middle Ages – Images – Five Senses – Art, Liturgy and the Five Senses in the Medieval Period
Joni M. Palmer, University of New Mexico, Albuquerque, NM USA
landscape architecture — cultural geography — public art — senses of place — soundscapes — vernacular creativies
Davide Panagia, University of California Los Angeles, United States
Political Theory/Cultural Studies/Aesthetics – Affect & Sensations – Visual – Aural – Gustatory – Hapticity – Ontology of Sensations – Spectatorship Studies – Photography, Film, Food
David Parisi, College of Charleston, Charleston, VA, USA
Media Studies/Media History/Media Archeology – Touch and Haptics – Tactility and Media Interfacing
Julie Park, The University of Auckland, Auckland, New Zealand
Anthropology — All Senses — Senses and Embodiment — Senses in Health — Senses and Citizenship

Jungsun Park, Korea Advanced Institute of Science and Technology, Daejeon, Republic of Korea 
Art/Culture Technology — Hearing — Embodiment — Expanded Senses — Senses in Art

Wendy Parkins, University Kent, Kent, UK
Literature/Gender studies – Affects, Emotions & the Senses – Victorian Sensory & Material Culture – Embodiment & Gender – Pre-Raphaelitism & Aestheticism – Slow Food
Joy Parr, University of Western Ontario, London, Ontario, Canada
Sensory Geography – Environmental History – Health Geography – Science and
Technology Studies – Landscape Change – Rehabituation after Trauma
Mark Paterson, University of Pittsburgh,USA
Phenomenology and psychology of touch – the haptic system – blindness and vision impairment – sensory prostheses
Heather Paxson, MIT, Cambridge, Massachusetts, USA
Anthropology – Taste – Artisan Synaesthetics – Embodied Knowledge – Craft Practice/Skill – Cheese
Laura Peers, Pitt Rivers Museum and School of Anthropology and Museum Ethnography, University of Oxford
Anthropology — History — Material Culture Studies — Touch — Emotion — Spiritual Perception
José Roberto Pellini, Federal University of Sergipe, Brazil
Archaeology – Archaeology of the Senses – Sensory Landscapes – Embodiment and Scientific Narratives – Fairy Tales – Illusion
Bissera V. Pentcheva, Stanford University, Stanford, CA
Byzantine Art – Synaesthesis (Five Senses) – Special Focus on Aesthetics, Architectural Psychoacoustics – Haptic Visuality – Olfactory and Gustatory Experience of Eastern Orthodox Culture
Marina Peterson, Ohio University, Athens, Ohio, USA
Anthropology – Hearing – Sound – Cities – Space – Materiality – Ethnography
Ágnes Pethő, Sapientia Hungarian University of Transylvania, Cluj-Napoca, Romania
Film Theory and History – Intermediality in Film – Cinematic Ekphrasis – Cinema and Sensations – The Haptic Image – Interart and Inter-sensual Relations
Gabriella M. Petrick, University of New Haven, Connecticut, United States
U.S History/History of Technology – Taste – Food Systems – Industrialization – Agriculture – Food Science and Technology
Karis Petty, University of Sussex, Brighton, UK
Anthropology — vision — touch — listening — environment — walking — disability (especially vision impairment)
Andreas Philippopoulos-Mihalopoulos, The Westminster Law & Theory Centre, University of Westminster, London, UK
Law / Interdisciplinary Studies – Five Senses – Spatiality – Body – Geophilosophy – Autopoiesis – Atmospherics – Affect – Emotion
Isabelle Pichet,Université du Québec à Trois-Rivières, Trois-Rivières, Québec, Canada
Art History – Museology – Art Criticism – 18th Century – Five Senses – Sensory Body – Senses in space – Sensory in sociability – Sensory in an exhibition
John Picker, Massachusetts Institute of Technology, Cambridge, MA
Literature/Media Studies – Hearing – Noise/Music/Silence – Sound Recording and Reproduction – Victorian Studies – Transatlantic Studies
Wang Ping, Macalester College, USA
Comparative Literature – Creative Writing – Smell – Touch – Perception
Trevor Pinch, Cornell University, Ithaca, USA
Science and Technology Studies – Sound Studies – Hearing – Electronic Music – Technology and Sound
Sarah Pink, RMIT University, Australia
Sensory Ethnography – The Sensory Home – The Sensory City – (Audio)Visual Media and Sensory Research – Interdisciplinary and Applied Sensory Research

Enrico Pitozzi, Department of Arts at the University of Bologna
Performing Arts – Theater and Dance – Media and Sound Studies – Hearing – Touch – Proprioception

Ben Powis, Solent University, Southhampton, UK
Sociology – Sensory Impairments – Blindness – Disability – Embodiment – Sport and Physical Activity

S. Brent Plate, Hamilton College, Clinton, NY, USA
Comparative Religion – Visual Culture – Material Culture – Senses in Religion – Media Studies – Film and Religion

Rachel Plotnick, Indiana University, Bloomington, Indiana, USA
Media Studies – Cultural History – Touch – Embodiment – Human-Machine Relationships – Interfaces

Ellie Pridgeon, University of Leicester, UK
Art History – The Five Senses – Medieval Wall Painting – Audience Reception
Sally M. Promey, Yale University, New Haven, CT, USA
American Studies/Religious Studies/History of Art – Sensory Cultures of Religion –Sensation and Material/Visual Cultures – Corporeality and Materiality – Space and Place
Sten Pultz Moslund, Institute for the Study of Culture, University of Southern Denmark
Postcolonial literature/literary theory – The Five Senses – Cross-sensory Perception —
Senses in literature – Senses and Otherness in Literature – Aesthetics as Aiesthesis
Alex Purves, UCLA, Los Angeles, USA
Classics – Touch – Literature – Aesthetics – Metaphor – Proprioception – Embodiment – Sensory Perception
François Quiviger, The Warburg Institute, University of London, School of Advanced Study, London UK
Art/Cultural History– The Sensorium – The Representation of Sensation in Classical Art and its Rediscovery in the Renaissance
Matt Rahaim, University of Minnesota, Minneapolis, MN, USA
Action Understanding – Listening – Voicing – Grasping – Pointing – Poise – Space
Mikael Bøgh Rasmussen, Independent Researcher, presently at Danish
National Art Library, Copenhagen, Denmark
Art/Cultural History – Senses in Art – Art and Embodiment – Portraiture – Emotion and the Senses – Early Modern Art
Richard C. Rath, University of Hawai’i at Mānoa, Honolulu, USA
History – Sound + Vision – History of the Senses – History of Hearing – Media and the Senses – New Media – Performance – Synesthesia
Peg Rawes, Bartlett School of Architecture, UCL, London, UK
Philosophy/Architecture/Fine Arts – Spatiotemporal – Sonic – Spatiotemporality – Embodiment – Feminist – Topological
A. Elisabeth Reichel, University of Basel, Basel, Switzerland
U.S.-American Literature and Culture – History of Anthropology – Sound Studies – Hearing – Writing – Music – Poetry
Bruno Reinhardt, Utrecht University (post-doc), Utrecht, Netherlands
Anthropology — Pentecostalism in Africa — Pastoral training — Embodiment — Authority — Material Religion
Lotten Gustafsson Reinius, Etnografiska, Stockholm, Sweden
Ethnology/Cultural History – Museums of Ethnography – Colonial Collections – Colonial Exhibitions – Prohibitions of Touch – Sensory Biographies of Things – Material Rhetoric
Anne-Caroline Rendu-Loisel, University of Toulouse 2 Jean Jaurès, Toulouse, France
Assyriology — History of Religion — Hearing — Multi-sensoriality — Cross-sensory perception — Senses in Ancient History — Senses in Ritual
Ian Reyes, University of Rhode Island, Kingston, RI, USA.
Communication Studies – Hearing, Seeing – Senses and Media Technology – Music Recording –Video Game Play – Human/Animal Interaction
Alex Rhys-Taylor, Goldsmiths, University of London, London, UK
Smell – Taste – Cities – History – Racism/Multiculture – Class – Narrative
Tom Rice, University of Exeter, Exeter, UK.
Anthropology – Hearing – Sound – Auditory Culture – Auditory Knowledge – Radio
Hans J. Rindisbacher, Pomona College, Claremont, CA, USA
German Studies – Literarture/Cultural History – Olfactory Perception – Five Senses – Life Sciences – Aesthetics – Representation
Jessica Riskin, Stanford University, Stanford, CA, USA
History – Vision – Philosophy – Physiology – Popular Science
Mette Bech Risør, General Practice Research Unit, Department of Community Medicine, UiT The Arctic University of Norway, Tromsø, Norway
Anthropology – Medical Anthropology of Sensations – Sensing Illness and Disease – Sensory Work – Sensory Agents – Sensibilisation
Lissa Roberts, University of Twente, Enschede, the Netherlands
History of Science and Technology – The Five Senses – The Senses as Research Tools – Sense and Sentiment – The Senses and Cultural Difference
Clarinda Rodrigues, School of Business and Economics, Linneaus University, Sweden
Sensory Branding/Marketing — The Five Senses — Brand Sensuality — Customer Experience
Gerardo Fabián Rodríguez, Medieval Studies Research Group, Center for Historical Studies, Faculty of Humanities, National University of Mar del Plata, Mar del Plata, Argentina
History — Medieval and Spanish History — History of the senses — History and videogames — Soundscapes — Carolingians — Guadalupean devotion
Matthew P. Romaniello, University of Hawaiʻi at Mānoa, Honolulu, HI, USA
History/History of Medicine — Russian Studies — Touch — Taste — Embodiment
Herman Roodenburg, Meertens Institute/VU University, Amsterdam, The Netherlands
Cultural History – Art History – Art and Embodiment – Senses and Emotions in Art
Sophia Rosenfeld, Yale University, Connecticut, USA
Intellectual and Cultural History – Enlightenment/Age of Revolutions – Visual
Languages and Sign Systems – History of Hearing – History of Common Sense
Anamaria V. Iosif Ross, Center for Mentoring and Learning, Empire State College, Saratoga Springs, USA
Medical Anthropology – Balance/Movement/Breath – Healing Touch – Vibrations – States of Consciousness – Therapeutic Uses of the Senses – Senses in Medicine
Kelli Rudolph, Department of Classical and Archaeological Studies and Department of Philosophy, University of Kent, United Kingdom
Ancient philosophy and science – perception – senses – Presocratic and Hellenistic philosophy
Matthew Ryan Smith, Independent Scholar, Toronto, Canada
Contemporary Art — Affect — Trauma — Photography — Video — Memory and the Senses
Lynn Sally, Metropolitan College of New York, USA
Performance Studies – The Five Senses – Cultural Production – Performance – Popular Culture
Chris Salter, Design + Computation Arts/Hexagram, Concordia University,
Montréal, Canada
Performance – Digital Media – Theater – Computer Music – Philosophy of Technology – Embodiment – Sensory Perception
Barry Sandywell, Honorary Fellow in Social Theory, Department of Sociology, University of York, UK
Social Theory – Critical Theory – Critical History of the senses – Philosophy – Aesthetics
Rebecca Schneider, Brown University, Providence, Rhode Island, USA
Performance Studies – Histories of Theatre, Dance, and Art – Gestural Studies – Inter(in)Animacy – Intermedia – Critical Theory
Annette Schellenberg, University of Vienna, department of Protestant Theology, Vienna, Austria
Hebrew Bible – The Five Senses – Senses in texts – senses in religion – embodiment – sensory imagination
Naomi Segal,  Birkbeck College, University of London, UK
Literary/Cultural Studies (French, German, English) – Touch – Psychic Skin – Didier Anzieu – The Body – Gender  – Inside/Outside – Love – Mourning
Richard Schechner, New York University, New York, USA
Performance Studies – Anthropology – Cultural Studies Ethology – Ritual – The Senses in Performance – Rasaesthetics
Hendrik Schifferstein, Delft University of Technology, Delft, The Netherlands
Psychology – Taste – Smell – Multisensory – Multisensory Design – Product Experience
Michael Schillmeier, University of Exeter, UK
STS – Empirical Philosophy – Senses, Practice and Process – Dis/ability – Cosmopolitics
Henning Schmidgen, Bauhaus University, Weimar, Germany
Media Studies, History of Science – Time, Touch – Biological Media – Virtual Laboratories — Machinic Subjectivities
Holger Schulze, Sound Studies Lab, Berlin, Germany
Cultural Anthropology of Sound – Mediology of Audio Media – Sound in Popular Culture
Hillel Schwartz, Independent Scholar, Encinitas, California, USA
Cultural History/History of Religions/Medicine – Hearing – Kinaesthesia – Proprioception
Gisela Coronado Schwindt, Faculty of Humanities, National University of Mar del Plata, Mar del Plata, Argentine Republic
History / History of the Senses — Sounds — Soundscape — Medievalism — Late medieval Castile
Gunter Senft, Max Planck Institute for Psycholinguistics, Nijmegen, The Netherlands
Anthropological Linguistics/Psycholinguistics/Cognitive Anthropology – The Five Senses – Melanesian (Trobriand Islanders, Papua New Guinea) Perception of the Supernatural – Language of Perception
Robin Skeates, Durham University, Durham, UK.
Archaeology – Sight, Sound, Smell and Taste, Touch, Spatiality, the Emotions, and their Synaesthesthic Interplay – Sensual Cultures in Prehistory – Visualism – Methodologies for Sensory Studies
Simon Shaw-Miller, Birkbeck College, University of London, London, UK
Art/Music Interrelationships – Synaesthesia – Musical Sites – Music and Sight – Music and Gesture – Iconography of Music – Combined Works of Art
Andrew Shail, Newcastle University, Newcastle upon Tyne, UK
Literature – Early Cinema – Vision – Sense Machines – History of Science – Neurology –
Glenn H. Shepard Jr., Museu Paraense Emílio Goeldi, Belém do Pará, Brazil
Anthropology — Chemosensation (Taste/Odor) — Synesthesia, Cross-cultural comparisons — Medical Anthropology, Ethnobotany, Shamanism, Ethnopharmacology, Sensory Ecology — Cultural Constructions of Illness & Efficacy
John F. Sherry, Jr., University of Notre Dame, Notre Dame, IN, USA Anthropology/Consumer Research – Embodiment: Aesthetics – Retail Atmospherics – Countercultural Spectacle
Rob Shields, University of Alberta, Edmonton, Canada
Urban Culture & Theory – Visual – kinaesthetics – visceral and somatic – hearing.
sensory aspects of place – spatial awareness
Anton V. Sidoroff-Dorso, Moscow Pedagogical State University, Moscow, Russia
Linguistics/Cognitive Anthropology/Developmental Psychology – Cross-Modal Perception and Synaesthesia – Synaesthesia Quotient – Situated Cognition – Biosemiotics – Neurophenomenology – Self-induced and Situational Cognitive Ambiguity, Models of Disambiguation – Multisensory Educational Techniques
Helen Slaney, University of Roehampton, London
Classics / Classical Reception – Kinaesthesia / Proprioception, Touch – Dance – Performance – Theatre – Material Culture – Embodied Cognition
Bruce R. Smith, University of Southern California, Los Angeles, CA, USA
English/Theatre – Audition –  Historical Phenomenology
Helen Smith, University of York, UK
Early Modern Literature – Materiality – Sensing Sensation – Language and
Sense – Embodiment – Reading and Sensation
Gavin J.D. Smith, School of Sociology, The Australian National University, Canberra, Australia
Sociology — Phenomenologies of Perception — Sensation — Embodiment — Visibility — Data-Bodies — Mediation
Mark Smith, University of South Carolina, Columbia, USA
History – The Five Senses – Senses and War – Senses and Natural Disasters – Senses and Modernity/Premodenity

Roger Smith, Honorary Researcher, Institute of Philosophy, Academy of Sciences, Moscow, Russia
Intellectual History – History of Human Sciecnes – Interdisciplinary Kinaesthesia – Science/Art of Movement – Mind/Brain – Concepts of Human Nature

Catherine M. Soussloff, University of British Columbia, Vancouver, Canada
Art History and Visual Studies – Aesthetics – Visual and Performance Studies – Philosophy of History – Historiography of Art Theory
Christy Spackman, New York University, New York, USA
Food Studies — Taste, Texture, Smell — Sensory Science — Aesthetics, Tastelessness, Measuring Taste
Dale C. Spencer, University of Manitoba, Winnipeg, Manitoba, CA
The Five Senses – Sensory Ethnography – Habitus – Bodies – Violence – Victimization – Sport
Stephanie Springgay, Ontario Institute for Studies in Education, University of Toronto, Toronto, Canada
Sensational Pedagogies – Epistemologies of Touch, Taste, Smell – Aesthetics – Affect – Embodiment – Contemporary Art
Research Profile
Michael Squire, Department of Classics, King’s College London, United Kingdom
Greece and Rome – senses and sensual perception – visual-verbal relations – Philostratus’ Imagines – classical visual culture – Classical literature
Jason Stanyek, University of Oxford, Oxford, UK
Sound Studies – Ethnomusicology – Brazilian Studies – Performance Studies – Voice
Tricia Starks, University of Arkansas, Fayetteville AR, USA
Associate Professor of History
The Five Senses — Medical/Cultural History — Tobacco — Addiction — Russia/Soviet
Louise Steel, University of Wales Trinity Saint David, Lampeter, UK
Archaeology – Near East – Touch – New Materialities – Embodiment – Pottery – Figurines
Stahl Stenslie, Oslo National Academy of the Arts, Oslo, Norway
Media Arts – Multimodal Interactivity – Teletactile Communication – Haptics – Aesthetics
Carolyn S. Stevens, Asia Institute, University of Melbourne, Australia
Anthropology – Japanese Studies – Music – Sound – Touch
Henry Stobart, Music Department, Royal Holloway, University of London, UK
Music/Ethnomusicology – Andean Ethnography – Performance – Intersensory Relations – Indigeneity – Digital Media
Jennifer Stoever-Ackerman, Binghamton University, Binghamton, New York, USA
Literary/Cultural Studies – African American Studies – Sound Studies – Listening – Race and Ethnicity – History of Media and Technology – Voice
Paul Stoller, West Chester University, West Chester, PA, USA
Cultural Anthropology – Sensorial Anthropology – Phenomenology –
Spirit Possession – Africa
Elizabeth. R Straughan, Independent Researcher, Melbourne, Australia
Human Geography – Skin – Touch and Haptics – Sensory Collective – Emotions – Aesthetics – Environment – Embodiment

Shanti Sumartojo, RMIT University, Melbourne, Australia
Geography — Place — Atmosphere/Affect — Commemorative Events — National Identity — Public Art
Alexandra Supper, Maastricht University, Maastricht, The Netherlands
Science and Technology Studies – Hearing – Senses and Embodied Practices in Science – Scientific Representations – Sonification
David Sutton, Southern Illinois University, Carbondale, IL, USA.
Anthropology – Food – Taste – Cooking – Skill – Memory – Greece
Stefan Szczelkun, University of Westminster, London, UK
Art – Visual Culture – Culture – Oral Culture
Jean-Paul Thibaud, Cresson / UMR 1563 Ambiances – CNRS, School of Architecture, Grenoble, France
Sociology – Urban Planning – Urban Ambiances – Urban Atmosphere – Sensory Perception – Everyday Aesthetics – Public Places
Carolyn Thomas, University of California at Davis, USA
American Studies – Touch and Vision – Material Culture and the Senses – Disability Studies and the Senses
Kate Thomas, University of York, UK
Anglo-Saxon literature and liturgical studies – Use of the senses in medieval Christian worship
Allison Thomason, Southern Illinois University at Edwardsville, Edwardsville, Illinois, USA
History – Archaeology – Ancient Near East – Synaesthesia – Kinesthesia – Sensescapes – Senses and Dress – Senses in Art
Emily Thompson, Princeton University, Princeton New Jersey, USA
History – Sound – Listening – Early Sound Motion Pictures – Phonograph, Urban Noise – Architecture
C. Jason Throop, University of California, Los Angeles, CA, USA
Anthropology – Pain – Tactility – Proprioception – Hunger – Satiation – Embodiment – Moral Sensiblities – Culture and Sensation – Sensory Modalities and Empathy
Susanna Trnka,The University of Auckland, Auckland, New Zealand
Anthropology – The Five Senses – Pain – Touch – Politics of the Senses –Sensory Citizenships – Senses and Emotions – Senses and Historical Memory
Shelley Trower, University of Hull, UK
Literature/Cultural History – Hearing – Extrasensory perception – Vibration –
Senses of Place
Barry Truax, Simon Fraser University, Burnaby, BC, Canada
Communication – Hearing – Acoustic Communication – Soundscape Studies – Electroacoustic Music – Audio Media
Amy Trubek, University of Vermont, Burlington Vermont, USA
Anthropology/Interdisciplinary Food Studies – Taste – Cultural History of Taste – Taste and Culinary Skill –Taste-makers
William Tullett, King’s College London, London, UK
Smell – Early Modern Social and Cultural history – Perfume – Social meanings of olfaction – Material Culture – Urban experience
Christoph Uehlinger, Department of Religious Studies, University of Zurich, Switzerland
History of Religions/Comparative Religion – Vision and Visuality – Aesthetics of Religion – Religion and the Senses – Material Religion – Visible Religion – Ancient Levant – Taxonomy
Phillip Vannini, Royal Roads University, Victoria, Canada
Interdisciplinary/Ethnography – All Senses Senses and Embodiment – Sense of Place –Social Psychology and Selfhood

Konstantinos Vassiliou, Athens School of Fine Arts, Athens, Greece
Aesthetics – Media Theory – Senses in Art – Senses in Digital Media – Art and Technology – Embodiment – Distraction/Attention – Spatiality – Aurality

Daniela Vávrová, The Cairns Institute and College of Arts, Society and Education, James Cook University, Australia
Visual Anthropology — Sound and Vision — Sensory Experience — Visible and Invisible — Papua New Guinea — Film and Photography
Jeffrey D. Veitch, University of Kent, Canterbury, UK
Ancient History/Archaeology — Sound — Hearing — Noise — Urban Space — Acoustics — Architecture
Alexandre Vincent, Université de Poitiers, France
History – Hearing — Social history of music — History of perception in Antiquity — Urban soundscapes
Viktoria von Hoffmann, National Fund of Scientific Research (FNRS), University of Liège, Belgium
Cultural History (Early Modern Era) – Taste – Touch – The Lower Senses – Food Studies – Disgust – Aesthetics/The Senses in Art
Peter Wagner, Universität Koblenz-Landau (Campus Landau)
Senses in the arts and literature – perception – 18th century –
Enlightenment and the senses
Research Profile
Dennis D. Waskul, Minnesota State University, Mankato, USA
Sociology – Senses and Sociology – Senses and Symbolic Interaction – Senses and Self –Senses and Impression Management – Senses and Nostalgia – Sensuous Methods
Olivier Wathelet, Institut Paul Bocuse Research Center, Lyon, France.
Anthropology/Cognitive ethnography – Smell – The Five Senses – Sensory Skills – Culinary Practices – Cultural Transmission – Technology and the Senses
Research profile
Isaac Weiner, The Ohio State University, Columbus, OH, USA
Religious Studies – American History – Sound – Law – Religious Pluralism – History of Noise – Public Space
Emma J Wells, Durham University, UK
Archaeology/History/Anthropology – Synaesthesia – The Five Senses – Architecture – Senses of Place – Performance – Experience – Multivocality – Art – Pilgrimage

Martin Welton, Queen Mary University of London, UK
Theatre and Performance Studies – Touch – Kinaesthesia – Hearing – Vision – Theatre in the Dark – Affective Atmospheres – Kinaesthesia in Dance and Theatre – Sound and Listening in Performance – New Technologies and Immersive Perfrmance

William Whittington, University of Southern California, Los Angeles, California, US
Film, Television and New Media – Sound Design – Genre – Subjectivity and Perception – History – Adaptation – Philosophy and Buddhism – Digital Culture
Research Profile
Robert Willim, Lund University, Sweden
Art — Ethnography and Cultural Analysis — Ethnographic Approaches and Artistic Practice — Digital Culture — Experiences of place — Ethnographic Surrealism — Artistic Evocation
Boris Wiseman, Durham University, Durham, England, UK.
Interdisciplinary (critical theory/ethno-aesthetics) – Aesthetic Experience – Qualia – Logic of Sensible Qualities – Art and Proprioception.
Lucy Wooding (Kostyanovsky), King’s College, University of London, London UK
History – Medieval/Reformation Religion – Sight – Hearing – Shifts in Visualization/Imagination
Chris Woolgar, University of Southampton, Southampton, UK
History/Archaeology – All Senses – Medieval Perception – Experiencing the Senses – Taste and Demotic Culture – Place and Perception
Helena Wulff, Department of Social Anthropology, Stockholm University, Sweden
Anthropology – Vision – Sound – Touch – Smell – Senses in Dance – Literary Senses
Diana Young, University of Queensland, Brisbane, Australia
Anthropology – Indigenous Australia – Colour and Synaesthesia in Art – Constructions of Space – Consumption – Design – Curation
Andrea Zakin, Lehman College, CUNY, Bronx, NY, USA
Studio Art/Art Education/Aesthetic Education – Cognitive Processing in Artistic Process – Senses in Art – Sensory Perception through Aesthetic Education
Research profile
Lois Parkinson Zamora, University of Houston, Houston, Texas, USA
Comparative Literature – Art History – Aesthetics – Latin American Fiction – Baroque – New World Baroque – Visual Culture
Andrew Zimmerman, George Washington University, Washington, DC, USA
History – Vision – Anthropology and Ethnography – Vision – Imperialism – Science – ‘Primitive’ and ‘Modern’ Art
Listing in this Directory has been by invitation in the first instance. If your research has a strong sensate dimension and you would like to be included in the list, please submit a request and documentation to . Your submission will be reviewed and if your work falls within the mandate of this site, one of the convenors will contact you about creating an entry.

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